Saturday, December 5, 2009

Hear the Distant Music of the Hounds

I came across the passage below in a random Christmas Treasury book of essays that I found at my local library. The piece is entitled The Distant Music of the Hounds and it was written by E.B. White in 1949.

Despite being 60 years old, the text is eerily prescient of the way Christmas is so often perceived in our own times. It made me realize that the hectic distractions of modern life that I often assume are byproducts of 21st century living were just as present in previous generations--even if the distractions had different names and were less technological.

The passage isn't that long, so I really think you should read it and then try to live it:

"To perceive Christmas through its wrapping becomes more difficult with every year. There was a little device we noticed in one of the sporting-goods stores—a trumpet that hunters hold to their ears so that they can hear the distant music of the hounds. Something of the sort is needed now to hear the incredibly distant sound of Christmas in these times, through the dark, material woods that surround it. “Silent Night,” canned and distributed in thundering repetition in the department stores, has become one of the greatest of all noisemakers, almost like the rattles and whistles of Election Night. We rode down on an escalator the other morning through the silent-nighting of the loudspeakers, and the man just in front of us was singing, 'I’m gonna wash this store right outta my hair, I’m gonna wash this store...'

The miracle of Christmas is that, like the distant and very musical voice of the hound, it penetrates finally and becomes heard in the heart—over so many years, through so many cheap curtain-raisers. It is not destroyed even by all the arts and craftiness of the destroyers, having an essential simplicity that is everlasting and triumphant, at the end of confusion. We once went out at night with coonhunters and we were aware that it was not so much the promise of the kill that took the men away from their warm homes and sent them through the cold shadowy woods, it was something more human, more mystical—something even simpler. It was the night, and the excitement of the note of the hound, first heard, then not heard. It was the natural world, seen at its best and most haunting, unlit except by stars, impenetrable except to the knowing and the sympathetic.

Christmas in 1949 must compete as never before with the dazzling complexity of man, whose tangential desires and ingenuities have created a world that gives any simple thing the look of obsolescence—as though there were something inherently foolish in what is simple, or natural. The human brain is about to turn certain functions over to an efficient substitute, and we hear of a robot that is now capable of handling the tedious details of psychoanalysis, so that the patient no longer need confide in a living doctor but can take his problems to a machine, which sifts everything and whose “brain” has selective power and the power of imagination. One thing leads to another. The machine that is imaginative will, we don’t doubt, be heir to the ills of the imagination; one can already predict that the machine itself may become sick emotionally, from strain and tension, and be compelled at last to consult a medical man, whether of flesh or of steel. We have tended to assume that the machine and the human brain are in conflict. Now the fear is that they are indistinguishable. Man not only is notably busy himself but insists that the other animals follow his example. A new bee has been bred artificially, busier than the old bee.

So this day and this century proceed toward the absolutes of convenience, of complexity, and of speed, only occasionally holding up the little trumpet (as at Christmastime) to be reminded of the simplicities, and to hear the distant music of the hound. Man’s inventions, directed always onward and upward, have an odd way of leading back to man himself, as a rabbit track in snow leads eventually to the rabbit. It is one of his more endearing qualities that man should think his tracks lead outward, toward something else, instead of back around the hill to where he has already been; and it is one of his persistent ambitions to leave earth entirely and travel by rocket into space, beyond the pull of gravity, and perhaps try another planet, as a pleasant change. He knows that the atomic age is capable of delivering a new package of energy; what he doesn’t know is whether it will prove to be a blessing. This week, many will be reminded that no explosion of atoms generates so hopeful a light as the reflection of a star, seen appreciatively in a pasture pond. It is there we perceive Christmas—and the sheep quiet, and the world waiting."
via The New Yorker

That's right. My blog is the only place on the Internet where you can find a post as profound as this one preceded by Porky Pig singing Blue Christmas. You're welcome on both counts.

1 comment:

Jam said...

Huh! That's E.B. White as in The Trumpet of the Swan, Charlotte's Web, and Stuart Little I guess (I had to google it, but the name sounded familiar).

This is what I love about studying the 20th century. You get the same complaints in the 1910s and 1920s too. For example, it's not uncommon to come across statements about how interconnected the world is, and how information and news can be transmitted almost instantaneously so that people can be completely informed about things on the other side of the planet -- and then you have to stop and think, they're talking about the telegraph rather than the internet!

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