Thursday, September 4, 2008

New Site Discovery: Covering the Mouse

For me, the world of RSS feeds is a vicious cycle of unread information. I'm always finding new sites that I immediately subscribe to, but every time I log into my Google Reader, I'm taunted by the bold blue 1,000+, indicating that I have an impossible amount of catching up to do.

Nevertheless, I have found another cool Web site and I thought I would share it. This one comes from my brother, my family's avowed Disney fanatic.

The site is called Covering the Mouse and it features a new cover version of a Disney musical classic on an almost daily basis, so it's great feed reading material. The best part is that you can hear the entire song, and--if you know where to look in the site's source code--you can grab the file for future enjoyment.

Not all of the tracks are fantastic and some of them--like any cover version of a popular song--are only worth hearing to satisfy your morbid curiosity or because the recordings are so rare. Covering the Mouse is definitely worth a look though, and I found a few gems while trolling the site last night:

Chim-Chim-Cher-ee
from Mary Poppins
Performed by Louis Armstrong


Under the Sea
from The Little Mermaid
Performed by The Suburban Legends


Grim Grinning Ghosts
from The Haunted Mansion
Performed by Barenaked Ladies

Wednesday, September 3, 2008

New Orleans Revisited

With the coverage of Hurricane Gustav and the three-year anniversary of Hurricane Katrina last week, I've had New Orleans on my mind a lot lately. I also recently returned from my second volunteer trip to the Big Easy, so I thought I would share a bit of my experience of the city in this post.

My first visit to New Orleans was in March 2006. At that point the city was still reeling from Katrina with a seemingly insurmountable amount of recovery work to be done. I spent a week volunteering with Catholic Charities doing what was probably the most difficult work I will ever do in my life. Without experiencing it firsthand, it's nearly impossible to describe the physical and emotional process of systematically gutting someone's home. Dressed in a Tyvek suit, gloves, goggles, a hard hat and a respirator, we endured the Gulf Coast humidity to literally turn someone's home inside out--stripping out the water-bloated possessions, the moldy carpet and the soaking wet drywall to leave the skeletal remains of wood framing and floors.


Previously important possessions were removed and discarded in a giant pile on the street in front of the house. Carpet, furniture, and appliances followed suit. Trust me when I tell you that removing a refrigerator brimming with six-month-old floodwater is an unenviable task, and if the fridge falls open, you best be wearing that respirator.


Fast forward to August 2008.

Catholic Charities gutted more than 1,900 homes and apartments and the rebuilding phase has begun. While it was still unbearably humid in NOLA, the work was decidedly more refreshing. Instead of using crowbars to bust up drywall, we were using paintbrushes to put new coats of paint on newly completed walls and ceilings. We were sawing plywood and using nail guns to fasten down sub-flooring.

The word that kept coming to mind was "rejuvenation." The work of home creation is decidedly more fulfilling than home destruction, and the city of New Orleans itself reflected this rejuvenation effort in so many ways as well. The city seemed alive again (at least compared to 2006) with a bustling French Quarter during the day and a packed Bourbon Street every night.

Best of all, the residents seemed to be back in a big way. Local businesses that I had remembered seeing boarded up on my first trip were now open and residents seemed to have returned to their neighborhoods. Maybe that's why the idea of evacuating the entire city seemed so outlandish to me. How could a city that is so alive with music and people and culture turn into a complete ghost town? Well, Mother Nature provided strong motivation and the city cleared out.

This is what Bourbon Street looked like on August 9.



And this is what it looked like last week.


By the time it reached NOLA, Hurricane Gustav was thankfully quite toothless, but the evacuation was still warranted. I fear that every major tropical storm from now on will compel city officials to order such a mandatory migration and it makes good sense. No one wants another Katrina. But how many times will people be willing to leave and come back to their water-logged and partially destroyed home? That's the pressing issue now.

When I walk around New Orleans, I am overwhelmed by the city's vast history, deep culture and undeniable pride. Citizens of NOLA seem to know that they are living somewhere special and they are anxious to share that with visitors--usually in the form of good music, delicious po'boys and fresh beignets. It would be a true shame if nature finds a way to bury that way of life at the bottom of the ocean, but I have to wonder how long N'Awlins has left.

Tuesday, August 19, 2008

Music Sells in Olympic Commercials

Is it just me, or is the Olympic telecast the new Super Bowl when it comes to flashy and creative commercials? Unlike the Super Bowl, however, you have about 3,457 chances to watch each of these commercials, so I've started to develop some favorites, as well as a few that force me to reach for the remote. It's also reinforced the fact that the background music can make or break a commercial.

Take for example, United Airlines. Some ad executive made a very wise decision in 1976 by licensing Gershwin's Rhapsody in Blue as the airlines' official theme. When they decided to start combining that anthem with cool animated sequences, they hit commercial gold. They've upped the ante significantly during the Olympics and accomplished the seemingly impossible: I actually enjoy watching the commercials.

Rhapsody in Blue is an astounding piece of music because it can elicit so many different emotions and be used to establish a variety of moods, each of which has been mined by United commercials. The unique artistic styles are engrossing, too.

It's hard to choose, but this one might be my favorite:


In case you missed one, you can view them all here.

On the other end of the musical spectrum, the Diet Coke commercial featuring Paul Oakenfold's Starry Eyed Surprise has been getting that song stuck in my head for days. I don't know why it's so catchy, but I think it's the way Oakenfold samples Harry Nilsson's "Everybody's Talkin'" in the background. Watch it below if you also want to "dance all night to this DJ."

Monday, August 11, 2008

Barack Roll: Best Use of the Internet Ever?

I just watched what should be the most viral video in Internet history, but it somehow still only has 600,000+ views on YouTube. Prepare to be Barack Rolled. Your life may never be the same again:



For any readers of this blog who are not familiar with the Internet-fueled prank of "rickrolling," it involves providing a link to one thing, but actually linking to Rick Astley's fascinatingly horrible 1987 chart-topper "Never Gonna Give You Up" or something that involves the song.

Exhibit A: This link to hilarious Muppet bloopers!

Events can also be rickrolled, as the song will begin playing while an Astley impersonator lip syncs along to the words.

Exhibit B: A college basketball game gets rickrolled.



Combining Obama and rickrolling? Sheer genius. Watch it again! You know you want to!

Friday, August 1, 2008

The Nerds Are Running Hollywood

Examine the all-time top grossing films in the U.S. What do you notice?

13 of the current top 20 are either superhero, sci-fi or fantasy-related flicks. With the exception of the animated features and The Passion of the Christ, the most lucrative US films list is also a running list of every nerd's favorite movies. Coincidence?

This article posits that keeping the nerds happy is a surefire way for Hollywood studios to achieve box office gold:
Hollywood always wants to know if it's on the right track. Book adaptations and genre films are attractive propositions because studios know the in-built fan base will see the film and galvanise wider attendance. But the comic-book fans are a savvy crowd and, if Hollywood gets it wrong, poor early word can spread like wildfire. Ever since the cult website Ain't It Cool News damned 1997's Batman & Robin with negative advance reviews, there's been a potency to the musings of netizens. After all, who wants to fork out $250m in production and marketing costs only for a film to end up in the bargain bucket at the local video shop?
This summer is no exception to the rule of nerd domination with The Dark Knight, Iron Man and Indiana Jones rounding out the top three highest-grossing summer blockbusters.

The moral of the story: A movie that satisfies the nerds will most often satisfy the masses. Or maybe there are just a whole lot of nerds out there.
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